Ek Tha Tiger (2012) Movie Review | Storyline | Plot

Ek Tha Tiger Movie Review

There is something about espionage stories and Hindi cinema, they both never seem to gel Ek Tha Tiger is no different than the hyped trend of agents this year, with a fizzle with a whimper.
Salman is a RAW agent jumping from one mission to another world and trot in the process. He falls for Katrina, an ISI agent, both conclude their respective Äúfarz, AU ditch for their country and live happily ever after. Although the idea of ​​the film is pregnant with possibilities for some great action, drama and tension even by Bollywood standards, Ek The Tiger disappoints completely.
Problems with Ek Tha Tiger starting in the first half hour, when the film opens with a harrowing series of operations and abrupt jumps in a comic love track derailment back to a Bourne-like plot. One would not necessarily have all complained when both were well executed. Unfortunately this is not the case.
For a spy movie, the movie is too easy and Salman too casual. He goes around breaking buildings cars and a tram in Dublin in broad day light with no country, AOS administration difficult to find out what happens. He is also exposed to a credible spy. The love sequences are forced to work and fall flat on their face. Even the famous Salman-Katrina chemistry not for the exposure of some very lazy writing.

There are some slick action sequences that impression, but are sparse and visible to look doctored. The chases in the picturesque Istanbul and Cuba are the best parts of an otherwise dull company. The film is too wordy and pointless dialogues, which provides a number of unintended laughter.

Salman looks old and has instead act of ripping his shirt off and dance to silly songs. He is placed in a very stylish sleek setting, without his usual slapstick than intelligence for a link, and looks lost. Katrina on the other hand, a role that her lack of acting prowess and his accent intelligently placed. The biggest let down but the director Kabir Khan, who seems to be completely clueless about how Salman, AOS Mass Appeal with his intention of making a Bond-style action movie to get married.
Sans songs that the audience would get horns, dialogues cat calls and whistles to get a shirtless Salman and a missing storyline Ek Tha Tiger to make a terrible boring movie. Despite the fact that only about two hours in the strange length, the film seemed to be going for eternity. Even die hard fans of Salman would find this disappointing.

GANGS OF WASSEYPUR 2 (2012) Movie Review | Storyline | Plot

GANGS OF WASSEYPUR 2 Movie Review

Gangs of WASSEYPUR 2 has some really special bolts that you engaged even after the show wrapped. The fact that you return the movie to carry home, the fact that the characters you disturb and so the final is only to show that the film has worked for you.

Wasseypur is no longer the settlement that was ever fixed by the rampant war between Khan and Sardar Singh Ramadhir. It has led to a new generation of power hungry people. With illegal acts, fraudulent administration bureaucrats, election rigging and vandalism, the town has just become blurred. Everything and everyone are craving for a coalition with the most influential man of Wasseypur, Faizal Khan, whose singular aspiration is to eradicate Ramadhir Singh.

Murky, threatening and petrified, yet witty, gangs of WASSEYPUR 2 is an intriguing expedition is that a number of notches above the front part. Buoyed by exciting and encouraging acts of plot dynamics, this is a trans-fixing seized film that requires your full concentration. In fact, this cartridge ravaged chronicle is enormous and commendable commendable for a multiple view, alone, beautiful properties in order to understand the optimum.

Gangs of WASSEYPUR 2 is attention-grabbing, captivating and engaging than the first part. Together with lively characters, Anurag melting of humor skilled in the sequence of events [note the funny names: Definite, perpendicular and Tangent]. It also illustrates how Wasseypur consumed with Bollywood, they mimic styles and performances of various Hindi film heroes. Although there is little doubt that gangs of WASSEYPUR was winning the nucleus, gangs of WASSEYPUR 2 inspires some remarkable light moments in the story that smacks of revenge and retribution.

Director Anurag Kashyap, in his trademark pragmatic approach to storytelling, fascinating running this huge bill. However, with an elongated runtime, the film grip out of place, albeit it is vague, toward the center of the next half. But along comes steam again without much ado, ensuing a spectacular climax. On the facade, gangs of WASSEYPUR 2 is a revenge story, a show of retaliation connect generations of gangsters. Scrape the outside and you’ll find more than that. The writing is uninhibited and imaginative. In fact, in terms of his scenario, there is no scene in the movie that you leave with a feeling of deja vu.

Not only the plot of the film, but the musical composition of this film is also a spell. After the presentation of moviegoers with some sounds generated in gangs of WASSEYPUR, composer Sneha Khanwalkar back with some impressive music in the next chapter of the film. While the ‘Hunter’, ‘Womaniya’ and ‘Bihar Ke Lala “remain engraved in the hearts and on the lips of many, the numbers in the next installment,” Cha Chi Leather’ and ‘Kaala Rey have incredible recall value. I would also like to point out that Anurag numbers used against the most violent and intense scenes of the film, which almost never happens in a Hindi film.

Like the first part, gangs of WASSEYPUR 2 tops from ordinary characters. This time, despite so much more to add, there is no room for confusion, since each of these characters is well defined and has a story to bring in the image. The story, in the pastoral voice Piyush Mishra’s over, acts like a glue that links the various episodes as one. The film is enhanced by her enchanting performances, each actor pitching a remarkable act. Gangs of WASSEYPUR 2 yields unpredictable act of rising from a Nawazuddin Siddiqui, who gives it his best shot as the protagonist with such authenticity and controlled grace that it is impossible to detach the performer of the part. Ditto for Huma Qureshi, who shares some wonderful scenes with Nawaz. She is just fantastic! Richa Chadda brings dignity to her character. She grows old in the movie by many years and brings so much into her tone, posture, facial expressions and eye movements. Tigmanshu Dhulia excels, especially in the final moments of the film. Piyush Mishra takes a lot by his gestures, that is the hallmark of a brilliant actor.

Clear and perpendicular, the two new actors who portray these characters never before seen, are remarkable. Reemma Sen is not much room here. Pankaj Tripathi breathes fire into his part. Watch him gun on his sister, the expressions on his face gives you goosebumps. Anurita Jha effective. Rajkumar Yadav, Vineet Singh, Jameel Khan, Yashpal Sharma, each actor justifies his presence in the film.

On the whole gangs of WASSEYPUR 2 is a show all by Anurag Kashyap and without a shred of doubt, can easily be listed as one among his greatest works. A fascinating film with some bravura moments. Watch out for his absolute cinematic brilliance!

Jism 2 (2012) Movie Review | Storyline | Plot

Jism 2 Movie Review

Jism 2, an erotic thriller, is touted as the boldest film [in That segment] to hit the Hindi screen, but the question That crosses your mind is, does it boast of a captivating story as well? Do you carry the film and the characters in your heart once you exit the auditorium? Most importantly, do you reminisce about it? Does it have recall value? Or does one forget about it the moment the show concludes?

Although Jism 2 is the second installment of the 2003 hit that starred Bipasha Basu and John Abraham, there’s a huge disparity Between the two films. Jism 2 is Visually stunning, the aesthetics are just right, but the voyage of a woman from the bazaar who desire desireable markets is far from perfect. The lackluster screenplay or Jism 2 is its biggest undoing!
The star of the show is, without doubt, Sunny Leone. People are looking forward to watching Jism 2 for Sunny, erotica and a generous dose of skin show, That in order. In fact, a wide section of moviegoers might frequent the cineplexes to watch Sunny alone, but for another segment It could be erotica. As the reels unfold, you Realize That Sunny deli fresh as an actor. Unfortunately, the script does not.
The other issue is the story of That Jism 2 unfolds at a leisurely pace, Which Should not be the case if it’s meant to be a thriller. Also, it gets too verbose and talk-heavy after a point, with Randeep Hooda’s character delivering idealistic lines That test your tolerance. Notwithstanding the blemishes, the fact remains as well, the curiosity to watch Sunny Leone will act as its savior.
A porn star, Izna [Sunny Leone] is entrusted the responsibility of luring a dreaded assassin, Kabir [Randeep Hooda]. The people behind the task are two intelligence officers, Guru [Arif Zakaria] and Ayaan [Arunoday Singh], who need to recover some vital data from Kabir. Izna has to Confront her bitter-sweet fit, but the problem arises When Ayaan falls in love with her. She has to make a choice!
There’s no Denying That Pooja Bhatt has extracted an arresting performance from Sunny Leone. But the screenplay plays a complete spoilsport. This could’ve been a convincing take on obsession, vengeance and infidelity, but there’s Hardly any movement in the story. Plus, a few questions unanswered Remain [How does Sunny get into the porn trade? When does Arunoday have a change of heart and fall in love with Sunny?]. Besides, the film is stretched without much reason in its post-interval portions. Additionally, you do not have compassion for any of the characters, as the film draws to a close.
The music of Jism 2 is soothing and soulful. Clearly the emphasis is on melody here. The cinematography is top notch. The DoP captures the lush green locales of Sri Lanka magnificently.
Sunny Leone is dazzling to look at and has an incredible body, but she does deliver as an actress? To start with, Pooja has, very smartly, cast her as a seductress. Sunny’s gestures, body language, erotic scenes and sex appeal are, unquestionably, far more than most divas Seasoned, who restrain a sort of hesitation When it comes to steamy scenes. She is scorching hot in Jism 2 and takes the heat rate to an Altogether different level. Sunny’s maiden attempt at acting comes across as confident and charming, but, at the sametime, there is scope for improvement, constantly Especially the emotional moments.
Despite the hype Sunny and adjoining her, Randeep enacts a pivotal character with aplomb. In fact, Randeep has lucratively carved a niche for himself, creating a space of his own with films like ONCE UPON A TIME IN MUMBAAI, Saheb BIWI AUR GANGSTER and Jannat 2. He pitches in striking another act in Jism 2. Arunoday tries hard, but is not convincing enough. Also, he is awfully awkward and ill at ease in Sequences That requirement him to breakdown emotionally.
Arif Zakaria is a name you correlate with competent performances and he is effective in this one as well. Sumeet Nijhawan gets limited scope. Imran Zahid Hardly is there.
On the whole, Jism 2 has Sunny Leone as its USP, but the lackluster screenplay and the sluggish pace act as deterrents. However, Sunny Leone in the driver’s seat, coupled with a generous dose of skin show and erotica, besides an attention-grabbing title, Should act as a honey trap to lure the audiences. But how one wishes this had jism soul as well!

Kyaa Super Kool Hai Hum (2012) Movie Review | Storyline | Plot

Kyaa Super Kool Hai Hum (2012) Movie Review-

KYAA SUPER KOOL HAIN HUM, the sex comedy genre back in focus. Designed with teens and young adults in mind, this film is to the brim with sexual innuendo, adult jokes and sly humor.
But be warned … KYAA SUPER KOOL HAIN HUM is a hilarious entertainer who belongs to the category of hardcore commercial cinema, “as we call them in film language, focusing on the magnetization of the masses in hordes. It is for viewers who continuously thirst for hilarious entertainment. It is not for pseudo intellectuals, nor for fuddy-duddies or hard-nosed and stubborn evaluators, who continually reject and ignore films of her peers as lowbrow absurdity.
KYAA SUPER KOOL HAIN HUM revolves around two friends, Adi [Tusshar Kapoor] and Sid [Riteish Deshmukh]. Adi is an ambitious actor who appears in tacky ads, while Sid is a DJ, who never had the right opportunities. The story takes a turn when they embark on an adventurous trip to Goa to get something invaluable.
As I mentioned earlier, KYAA SUPER KOOL HAIN HUM is poor and focuses on young adults. In fact, even some skeptics who laugh out loud while watching an AMERICAN PIE, enjoy the ludicrousness and hilarity of KYAA SUPER KOOL HAIN HUM.
Not here looking for a groundbreaking story! From what you collect, director Sachin Yardi longs for the audience ‘laugh at any cost. Yardi has kept the story quickly and completely integrated some clever lines to keep the laughter alive. There are sooooo many hilarious episodes in the film and some naughty jokes too. A bucket full of double entenders. I would say, the sequences and part of the dialogue will stun you. But it’s still fun, with laughter unlimited. In fact, it is a film that is ideal can be referred to as an “anti-stress entertainer ‘.
All stains? Although there is hardly a dull moment in his rapid scenario, I would add, KYAA SUPER KOOL HAIN HUM vague droops in the middle, but again decided on an unpredictable lively high. There are some jokes that work big time, while only a few are trying very hard to cheer calls.
The soundtrack is scored by numerous composers and music are energetic and completely in harmony with the spirit of the film. ‘Dil Garden Garden Ho Gaya’, ‘Shirt Da Button “and” UP Bihar Lootne “are beautiful tracks, making it youthful zest in the foreground. Even the track during the end titles is high on energy. Ravi Walia The cinematography is lively, with each frame appear lively. I would like a special mention of the dialogue to make. Witty to the core!
The show is part of the two protagonists and together they are a riot! Both Riteish and Tusshar are known for their impeccable comic timing. Riteish is incredibly hilarious in this hilarious act. Tusshar is as compelling and doing incredibly well. In fact, both Riteish and Tusshar act in tandem and complement each other wonderfully. Neha Sharma and Sarah Jane Dias well. Their confidence, enthusiasm and a lack of inhibitions, while taking part in a naughty scene, delivering a bad line or sporting a Reveal-it-all outfit gives the film an extra boost.
Anupam Kher is admirable and borders qualitative value to the movie. Chunkey Pandey is hilarious, especially in the introductory sequence. Howard Rosemeyer is equally crazy. Ditto for Razzak Khan. Kavin Dave is perfect. The pug is moving in an important role. Rohit Shetty and Mushtaq Sheikh make cameo appearances pleasant.
Overall KYAA SUPER KOOL HAIN HUM is definitely kinks to get confirmation from the audience – the youth. Despite the sexual tone, adult jokes, naughty humor, the film, at no time, getting offensive, objectionable, or objectionable. In fact it is a great joyride from beginning to conclusion. This is for the masses, for the young, for those who loved and enjoyed part one of mad hilarity. KYAA SUPER KOOL HAIN HUM offers entertainment, entertainment and only entertainment in large quantities!

Teri Meri Kahaani (2012) Movie Review | Storyline | Plot

A self-declared Yash Chopra fan, Kunal Kohli has had a remarkable career thus far. He didn’t have a great beginning with MUJHSE DOSTI KAROGE, but surprised one and all with his dexterity in films like HUM TUM and FANAA. THODA PYAAR THODA MAGIC couldn’t restructure the magic of HUM TUM, but all eyes are on his new outing TERI MERI KAHAANI. The question is, will he be able to strike a chord this time?

But do the three stories connect with each other? Now that’s one question that shouldn’t be answered in a review. It may rob the film of its magnetism.

I have watched both the films and let me enlighten you that both are dissimilar to each other. Perhaps, the idea of three love stories in three different eras may have germinated from the Taiwanese film, but that’s about it. The story and treatment of THREE TIMES is poles apart, whileTERI MERI KAHAANI is the atypical love story that one is accustomed to watching. So, there. A happenstance in the subject matter doesn’t make it analogous or a blatant replication, does it?

Can we truly love one person throughout our life and hope that fate makes us meet the same person in every life of ours? This story takes us through a journey of eternal love between a couple who have vowed to love each other not only in this life, but in every life to follow. Their love is so strong that even destiny wants to bring them together. The story starts in 1960 Bombay withGovind and Ruksar, then moves ahead to present times, 2012 England with Radha and Krish and then goes back in time to Punjab 1910 with Aradhana and Javed.

Can Javed and Aradhana still be together? Will Ruksar realize that Govind’s feeling for her were genuine? Will Krish be able to clear the misunderstandings?

Independently and collectively, the three love stories divided in three different eras of TERI MERI KAHAANI do accomplish at portraying how our lives are influenced and even revolutionized by the times we live in. However, the film doesn’t thrive on all accounts, there are a few dull moments [the present-day story stagnates after a point and the pacing tends to get unhurried, thus making you fidgety and impatient at times], but buried in its experimental storytelling and innate performances is a heartwarming tale that’s gratifying and succeeds in planting a smile on your face. Especially the way Kunal concludes the three stories!

On the brighter side, there are no preceding births, nobody expires or recalls meeting earlier. The viewer is well aware that Shahid and Priyanka have met before, but the characters are completely clueless about the past.

Different eras are the crux of this motion picture. In fact, these eras take the account frontward. Each story tackles diverse times and societal principles and at least two stories — the Poona andPunjab episodes — keep you hooked [screenplay: Robin Bhatt and Kunal Kohli]. It’s actually very unusual to experience a story which progresses in this fashion. This is a setting where one gets to witness the inventiveness and resourcefulness of a director. Without doubt, TERI MERI KAHAANIgives Kunal this break.

A special mention of the production design [Muneesh Sappel]. The sets created to depict the different eras is admirable. While recreating the pre-independence India must have been tough, Sappel has recreated the era of 1960s impeccably well. TERI MERI KAHAANI is, without doubt, one of the better albums by Sajid-Wajid. In fact, Sajid-Wajid and lyricist Prasoon Joshi make sure the soundtrack is extremely likeable, especially these tracks — ‘Jabse Mere Dil Ko Uff’, ‘Mukhtasar’, ‘Allah Jaane’ and ‘Humse Pyaar Karle Tu’. Sunil Patel’s cinematography is top notch. Dialogue, penned by Kunal Kohli, are poetic and romantic.

Not many actors get the opportunity to portray three diverse roles in a single movie. But Shahid carries each of those parts with refinement, besides looking debonair in each character. There is no quizzing his performing abilities either. He pulls the act with effortlessness and panache. As a matter of fact, whenever Shahid has attempted something diverse, the results have been luminous. From playing a musician in Bollywood to a compulsive flirt in Punjab to the unflustered and trendy youngster settled in U.K., Shahid does an exceptional job. Among the three characters, his take as Javed is sure to win him accolades.

As the spirited Aradhana of 1910, the dazzling movie star Rukhsar of 1960 or the joyful Radha of 2012, Priyanka is a complete livewire in each of the acts. On a personal level, I liked her the most as Aradhana, a full-on Punjabi girl who’s vivacious and bubbly. What also makes the film work is the chemistry the two actors share. They appear exceptionally comfy with each other and bring to the table what the spectators are looking for.

Prachi Desai is sparkling in a cameo. Neha Sharma is decent. Vrajesh Hirjee does well. Surendra Palis okay.

On the whole, TERI MERI KAHAANI is uncomplicated and charming. Not the usual romantic fare, this one presents three different stories in three different eras without getting theatrical or melodramatic. Thanks to its innovative storytelling, it comes across as the perfect date movie, holding tremendous appeal for the Facebook Gen. TERI MERI KAHAANI is pleasurable and fascinating in equal measures!

Gangs Of Wasseypur (2012) Movie Review | Storyline | Plot

Anurag Kashyap is in receipt of enthusiastic evaluations for GANGS OF WASSEYPUR, prior to the film’s theatrical release in India. Subsequent to its unveiling at Cannes this year, GANGS OF WASSEYPUR has harvested buoyant acknowledgment, is fervently anticipated and highly estimated. The film has been prized by assessors for its authoritative and engaging plot, vengeance being its nucleus subject matter.

Anurag Kashyap, who is celebrated for his effort in generating a position in Indian cinema’s forward-thinking space, narrates a classic account of two disputing families set against the milieu of the coal mining groups in Dhanbad. Heightened by strong acts by a gifted and assorted cast, the film is ingeniously narrated and has several power-packed sequences that render you speechless. However, it’s not without its share of blemishes… But more on that later!

Towards the end of colonial India, Shahid Khan loots the British trains, impersonating the legendary Sultana Daku. Now outcast, Shahid becomes a worker at Ramadhir Singh’s colliery, only to spur a revenge battle that passes on to generations. At the turn of the decade, Shahid’s son, the philandering Sardar Khan, vows to get his father’s honor back, becoming the most feared man of Wasseypur.

With so many characters, the account being narrated by a voiceover and the film constantly going back in time, it takes time to get a hang of things initially. The film begins in the center of things and then hauls us back to 1940, where the recounting initiates.

GANGS OF WASSEYPUR has a capricious first half, but the film advances vigorously post intermission. There’s never a tedious moment in the second half of the gangster epic, the plot throws a number of disclosures at you, it dribbles with visual style, laces up with commanding, acidic and witty lines… with Rajiv Ravi’s camera moving incessantly. In fact, there’s so much that Anurag invests in the movie. Clearly, he has that streak of courage that very few film-makers in Mumbai pride themselves in. But there’s a flipside too: The screenplay could’ve been crisper and taut. It slackens sporadically [in the first hour specifically]. Most importantly, the excessive run time makes you fidgety, even though the content leaves you mesmerized and captivated on numerous junctures.

Also, you ought to have a really strong stomach to absorb a film like GANGS OF WASSEYPUR. The generous usage of expletives/cuss words, the gruesome violence, the repugnant visuals can prove to be disconcerting to an oblivious spectator. In fact, it’s not your regular Bollywood entertainer. It’s not like anything the Hindi moviegoer has ever witnessed. That’s precisely why one should enter the auditorium cognizant of the fact that he/she is going to witness something absolutely contradictory to what he/she has been subjected to for eons. Let me, at this juncture, put you on alert that GANGS OF WASSEYPUR is not for the faint-hearted or lily-livered. But if you are in a mood to experience something diametrically diverse, chances are you may come out feeling elated and ecstatic.

The soundtrack of GANGS OF WASSEYPUR will be remembered as the reappearance of small-town folksy music in a contemporary avatar, though it can be assumed that the music is vastly experimental. Deep respect for music director Sneha Khanwalkar for merging folk music with fashionable sounds to exactitude. Though hard to choose the best one, ‘O Womaniya’ and ‘Jiya Ho Bihar Ke Lala’ certainly stand out, ‘Kehke Lunga’ is also a frontrunner. Besides, ‘Kasam Paida Karne Wale Ki’ and ‘Salaam-E-Ishq’, the evergreen tracks from yesteryear hits, are smartly placed in the narrative.

BANDIT QUEEN, SATYA, ZUBEIDAA, AKS, PINJAR, 1971, SWAMI, RAAJNEETI and LANKA are some of the performances of Manoj Bajpayee which are, for eternity, committed to memory. The skilled actor now adjoins GANGS OF WASSEYPUR to this imposing listing, wherein Bajpayee appends incredible value and weightage to the intense character he depicts. His presence illuminates every sequence that he emerges in and compels you to esteem the actor with amazement.

The other performance that takes you by surprise is that of Tigmanshu Dhulia. An accomplished director, this film makes you open your eyes to the fact that he’s an incredible actor as well. So strong is his screen charisma that he is in possession of every frame he features in. Both Richa Chadda and Reemma Sen have meaty roles, but Richa is the definite discovery. She is simply brilliant from the very inception. Reemma is in terrific form, essaying a difficult part with flourish.

Nawazuddin Siddiqui is first-rate and one presumes, one would get to see more of him in the second installment of the movie. Ditto for Huma Qureshi, who’s introduced much later in the film. She’s wonderful in the sequence when Nawaz attempts to get a little extra comfy with her. Piyush Mishra, as always, is hugely competent. Jaideep Ahlawat is another actor who leaves an indelible impact. He’s fantastic! Jameel Khan, who features prominently with Manoj Bajpayee all though, is effective. Pankaj Tripathi is in terrific form. Note the flare-up at the marriage. He’s fabulous! Vipin Sharma gets into the skin of the character and delivers a wonderful performance. Vineet Singh, who portrays Manoj’s elder son, is perfect. Yashpal Sharma appears in a cameo. Anurita Jha gets minimal screen presence in this first part.

On the whole, GANGS OF WASSEYPUR symbolizes the fearless new Indian cinema that shatters the clichés and conventional formulas, something which Anurag Kashyap has come to be acknowledged for. It has all the trappings of an entertainer, but with a difference. The film prides itself with substance that connects with enthusiasts of new-age cinema. But, I wish to restate, one needs to have a really strong belly to soak up to a film like GANGS OF WASSEYPUR. Also, this striking movie-watching experience comes with a colossal length and duration. The reactions, therefore, would be in extremes. GANGS OF WASSEYPUR is for that segment of spectators who seek pleasure in watching forceful, hard-hitting and gritty movies.